Kanguva Surpasses Rs 60 Crore Milestone at the Box Office on Day 7

Suriya's much-anticipated film Kanguva has achieved a significant milestone at the Indian box office, surpassing Rs 60 crore in collections within just a week of its release.

Suriya’s recent release Kanguva has made a strong impact at the Indian box office, grossing Rs 62.40 crore in its opening week. On the seventh day alone, the film earned Rs 2.40 crore, maintaining a solid pace despite mixed reviews. The movie recorded a 13.72% occupancy rate in Tamil and 9.08% in Hindi on day seven.

Kanguva 3D Records 13.36% Occupancy on November 20, 2024

On Wednesday, November 20, 2024, Kanguva 3D achieved an overall occupancy rate of 13.36%, reflecting its steady performance despite the mixed critical reception. The film’s immersive 3D visuals and action-packed sequences seem to have captivated audiences, maintaining a significant presence in theaters. While the film has garnered a range of reviews, its box office performance remains strong, with viewers continuing to show interest in the larger-than-life cinematic experience it offers. The numbers suggest that Kanguva is appealing to a broad audience, especially in Tamil-speaking regions, while also drawing viewers in the Hindi market.

Kanguva Sees Steady Performance in Hindi Market with 9.08% Occupancy on Day 7

In the Hindi market, Kanguva maintained a consistent performance on its seventh day, recording an overall occupancy rate of 9.08%. The film’s viewership fluctuated throughout the day, starting with a modest 4.25% occupancy in the morning shows. As the day progressed, the numbers improved, with the afternoon shows reaching 9.47%, followed by the evening shows at 10.52%. The night shows saw a further increase, achieving a peak occupancy of 12.07%. Despite mixed reviews, Kanguva continues to draw audiences, especially in the evening and night slots, suggesting strong word-of-mouth appeal and growing interest in its high-quality visuals and action sequences.

Jyothika Responds to Kanguva Criticism, Defends the Film’s Efforts and Visual Appeal

Suriya’s highly anticipated film Kanguva has sparked mixed reactions from audiences and critics, with some praising its visuals while others express disappointment over the storyline. In response to the negative reviews, Suriya’s wife and actress Jyothika shared a passionate post on Instagram, defending the film against the backlash it has received.

Jyothika expressed her astonishment at the level of criticism the film has garnered, particularly highlighting the contrast between Kanguva and other high-budget films that often feature outdated narratives and problematic themes. She remarked, “I’m surprised by the negative reviews from the media and certain groups, especially considering they haven’t held other big-budget films to such a high standard—films that feature outdated plots with outdated dialogues, over-the-top action, and troubling portrayals of women.”

She also emphasized the positive elements of Kanguva that she feels critics have overlooked. In particular, she pointed to the impressive women-centered action sequence in the second half and the storyline involving the young boy’s journey through love and betrayal. “What about the good parts?” she questioned, lamenting that such details were seemingly ignored in the reviews. Jyothika expressed her frustration over the quick negative response to the film, even before audiences had a chance to fully experience it.

In her post, she praised the creative team behind Kanguva, highlighting the effort that went into producing the film’s exceptional visual effects, especially the 3D elements. “The concept and the stunning 3D visuals deserve applause,” she wrote, encouraging the team to be proud of their work despite the criticism.

Jyothika concluded with a powerful message, urging her followers to support the film and appreciate the hard work that went into creating a cinematic experience. She criticized those who focus solely on negativity without contributing anything constructive to the industry, adding, “The ones criticizing are doing little to uplift cinema.”